1988 | IM HERBST DER BESTIE (In the Autumn of the Beast), U-Matic, documentary, FRG, 120 min. |
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1989 | LANGSAMER ABSCHIED (Slow Farewell), essay film, Spain / FRG, 16 mm, 45 min. |
Directing / Camera / Editing / Production |
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YENI DUVAR – Die neue Mauer (The New Wall), video, FRG, 20 min. |
Camera |
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1990 | DER CHIRURGISCHE EINGRIFF (The Surgical Operation), Iraq, 45 min. |
Camera / Directing / Production |
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KAHROLASI C – Verfluchtes C (The Cursed C) , feature film, 16 mm |
Camera |
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QUÉ TODOS SE LEVANTEN (When They All Rise Up), Guatemala, 60 min. |
Directing / Camera / Editing / Production |
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EL ORO NEGRO - Das schwarze Gold (Black Gold), feature film, Ecuador |
Directing / Camera./ Editing / Production |
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1992 | EIN PORTRÄT DER FRIEDENSNOBELPREISTRÄGERIN RIGOBERTA MENCHÚ (A Portrait of the Nobel Peace Prize Winner Rigoberta Menchú), a film for the TV program ARD aktuell |
Directing / Camera / Editing / Production |
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ZIVILCOURAGE – RIGOBERTA MENCHÚ (Everyday Courage - Rigoberta Menchú), film for Deutsche Welle |
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1993 | DANCES WITH TAILINGS – Die auf dem Uran-Müll tanzen (Those Who Dance on Uranium Waste), documentary, 16 mm |
Directing / Camera / Editing / Production |
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AUF DER SUCHE NACH SICH SELBST (Looking for Oneself), a project in adventure-based teaching, Iceland, 45 min. |
Directing / Production |
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1994 | TAKE YOUR CHANCE, video clip, Scotland, 10 min., High 8 |
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Six months of shooting for DIE AMERIKAS (The Americas) in Ecuador / Guatemala and the USA |
Film promotion funding from the Filmbüro Hamburg HHFF |
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DAS UNBEKANNTE GESICHT DES ISLAMS (The Unknown Face of Islam), |
co-author of script for NDR | |||
1995 | DER WEG IST DAS ZIEL (The Way Is the Goal), Italy, 30 min., High 8 |
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ZWISCHEN DEN FRONTEN – Die Aleviten (Between the Fronts – The Alevites), feature film, Turkey, 45 min., Beta SP, NDR/ 3 SAT |
Camera / Production |
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1996 | DER SCHATTENSPIELER (The Shadow Player), Nyerai-Film, FRG / Bulgaria / Nigeria, 30 min, Beta SP, Deutsche Welle |
Camera |
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ASYL, ASYL (Asylum, Asylum), subsidized script for a feature film, |
Filmförderung Hamburg HHFF |
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DIE AMERIKAS (The Americas), an essayistic documentary about the identity and resistance of the indigenous population of the Americas, 93 min., Beta SP |
Directing / Camera / Production |
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( Prizes: *Großer Preis der Jury", Sixth International Environmental and Nature Film Festival in Sacile, Italy, 1996 |
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DIE STIMME DES HIMMELS – Missionierung und Ölgesellschaften in Ecuador (The Voice of Heaven – Missionaries and the Oil Business in Ecuador), 45 min., Beta SP |
Directing / Camera / Production |
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DAS VERSTECKTE GESICHT – über die Situation der Flüchtlingsdörfer in Guatemala (The Hidden Face – On the Situation of the Refugee Villages in Guatemala), 45 min., Beta SP |
Directing / Camera / Production |
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1997 | DIE BESCHNEIDUNG – Ein Fest in den türkischen Bergen (The Circumcision – A Celebration in the Mountains of Turkey), Turkey.45 min., NDR / WDR Production |
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TAI CHI CHUAN – Vollendete Kampfkunst in China (Tai Chi Chuan – Perfect Martial Art in China), China, 45 min., SFB |
Directing / Camera / Production |
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UNSERE MÜTTER, UNSERE SCHWESTERN, UNSERE TÖCHTER – Ein Filmprojekt über kurdische Frauen (Our Mothers, Our Sisters, Our Daughters – A Film Project on Kurdish Women), WDR / arte |
Script | |||
HEIMAT BABYLON (Hometoen Babylon), subsidized script for a feature film, MFG Baden-Württemberg |
MFG Baden Württemberg | |||
DORNEN IN MEINEM AUGE – Eren Keskin: Eine türkische Anwältin klagt an (Thorns in My Eye – Eren Keskin: A Turkish Woman Lawyer Speaks Out), 60 min., WDR, arte and TVE, Spain |
Directing / Production |
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Prizes: *Odyssee-Spezialpreis der Jury für Dokumentarfilm" (Odyssey Special Jury Prize for a Documentary Film), Interfilmfestival Nuremberg |
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Festivals: *Festival médias nord-sud, Geneva |
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NICHT LÄNGER SCHWEIGEN – Kurdische Frauen auf neuen Wegen (No Longer Silent – Kurdish Women Taking New Paths), 45 min., WDR |
Production |
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WALDESLUST – Die Deutschen und der Wald (FOREST DELIGHT – Germans and the Forest), 45 min., NDR/ HR / 3 SAT / MDR / SWR |
Directing / Camera / Editing / Production |
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2000 | IVORY – Wildlife Management in Africa, Zimbabwe / Kenya, 90 min., Nyerai Films |
Camera |
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HEIMAT BABYLON (Hometown Babylon) |
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*recommended for the Deutscher Drehbuchpreis (German Script Prize) 2003 in the category "non-filmed script" |
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FOREIGN HOMELAND |
Project development promotion by Filmförderung Hamburg | |||
2001 | DER LETZTE KRONZEUGE (The Last Principal Witness), accepted for the Media Plus program Pro Pitch 2001 |
Film promotion subsidy from MFG Baden-Württemberg |
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ELEANORA & THE ALIEN, children's film, |
script development subsidy from Filmförderung Hamburg |
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2002 | DER SCHWARZARBEITER (The Underground Worker), satirical short film on the theme of joblessness, 35 mm, 19 min. |
Directing / Production |
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Prizes: *First Prize for Best Short Film, International Film Festival Osnabrück |
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Festivals: |
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Nominated for Best Short Film, German Short Film Prize 2003 | ||||
Incentive funding from MFG Baden-Württemberg for project development for "Hometown Babylon", "Jobsharing" and "Wonderful Death" |
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Development subsidy for the script of the international feature film BRENT SPAR from MFG Baden-Württemberg |
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Subsidy for project development for JOBSHARING from Media Plus |
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2004 | Subsidy for project development for HEIMAT BABYLON from Media Plus |
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DIE DREHUNG DER BRENT SPAR (Shooting the Film "Brent Spar"), documentary, 45 min. (WDR), |
TV film subsidy from MFG | |||
2006 | FASZINATION WILDNIS (The Fascination of the Wilderness), 30 min. |
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EINE ALLIANZ FÜR DIE ZUKUNFT (An Alliance for the Future), 20 min. |